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Post Info TOPIC: American Graffitti


Canadian Poncho Superstar!

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RE: American Graffitti


yea the fonz is cool but mary-anne is so much better!

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Thanks for your vote of confidence on my avatar there Timbuk! LOL!

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1969 Pontiac Parisienne Convertible
1969 Pontiac Grande Parisienne Hardtop
1961 GMC C930 1-Ton
1985 Chevy Blazer (plow truck)


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Canadian Poncho Superstar!

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cool picture of the 55 chevy after the shooting of two lane black top





-- Edited by 68sd on Wednesday 12th of May 2010 09:50:36 PM

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A Poncho Legend!

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Two pages of the movie errors:

http://www.moviemistakes.com/film49

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Formerly - The one and only 1973 LeMans 454 "Astro-Jet"

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1993 Corvette Convertible LT 1

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Car Movies.......Hollywood Knights should be mentioned.Anyone seen it.Cool car movies,early 80's if I recall 

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Poncho Master!

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ive never seen this movie

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1967 parisienne 

 



Canadian Poncho Superstar!

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found cool info on the cars


THE 32 DEUCE COUPE
cars_32_Deuce.jpgGeorge Lucas wanted a car that would evoke circa 1962 memories of the cruising he experienced growing up near Modesto.  He and movie producer Gary Kurtz whittled a list of potential car candidates down to a red, full-fendered coupe, finally basing their selection on its chopped top.

Henry Travers, the films transportation manager, was given the enviable task of overseeing the coupes construction as a bona fide hot rod.  Henry trailered the car to Bob Hamiltons shop in Ignacio for the conversion. Lucas wanted a highboy with bobbed rear fenders to emphasize the fender laws that hot rodders continually confronted 45 years ago.  Reconstruction included the addition of motorcycle front fenders, aluminum headlight stanchions, and chrome plating for the dropped I-beam solid axle. Also, the grill and shell were sectioned a few inches.

Next, it was trailered to Close Orlandis Body & Fender in San Rafael for its coat of Canary Yellow lacquer paint.  The interior, which was red and white tuck and roll Naugahyde, was dyed black.

Johnny Franklins Mufflers in Santa Rosa added the Man-A-Fre intake manifold, a quartet of Rochester 2G two-barrel carbs, and no name valve covers to the 1966 327 Chevy motor with fuelie heads.  Franklins also built and installed the Sprint racecar-style header-exhaust system based on dimensions provided by Mr. Lucas. The remainder of drive train included a Super T-10 four-speed and 4:11 gears in a 57 rear end.

You can still see the holes in the frame for the special removable platforms used by the camera crew for close-up filming of the street cruising scenes.

The prop department made the THX 138 license plate as a play on the THX 1138 science fiction film made by George Lucas while in film school at USC in Los Angeles. This letter-and-number combination was also used on a jeep in a scene (along with Mr. Lucas) in Francis Coppolas 1979 movie Apocalypse Now. Prior to More American Graffiti (1979), the coupe went back to Orlandis shop for a new paint job; same color but acrylic enamel replaced the lacquer.

In 1983, after the More American Graffiti movie, Steve Fitch acquired the coupe in a sealed auction bid.  He had previously acquired the movies black 55 Chevy.  In 1985, Rick Figari purchased the coupe.  Rick then entrusted the coupe to Roy Brizios shop in South San Francisco to make it road worthy again. Work included rewiring and rebuilding the T-10 four-speed, aluminizing the chrome headers, and making stronger front fender brackets. The 327 was also rebuilt. A funny note about the coupe:  After the film was finished, they tried to sell it and couldnt get the asking price of $1,500. Today, both the '32 Ford Coupe and a clone of the '55 Chevy are owned by San Francisco resident Rick Figari.



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THE 55 CHEVY
cars_55_Chevy.jpgThere were three black 55 Chevys used in the film, two of which were also used in the 1971 movie Two Lane Blacktop.  The one used for exterior shots for both movies and driven by Harrison Ford in American Graffiti had a fiberglass shell that covered a 427 motor coupled to an M-22 Muncie transmission and 4.88 Olds rear-end. We had so much trouble getting that damn Chevy started each time, said Henry. Initially, I thought it might be a problem with the starter motor so one time I told one of the owners of another 55 to drive two wheels up on the curb. With a couple of wrenches, I crawled under it and removed the starter motor and put in the movie car. As it turned out, the guy who built the car had put the battery in the trunk and apparently because so much of the car was fiberglass, somehow it wasnt getting full power to the starter. So I went out and bought heavy duty battery cable and ran it directly to the starter motor.

The stunt car for both movies, which was used in American Graffitis drag race scenes, had a 454 motor, TH 400 automatic and unknown Olds rear-end. The third car, used for the explosion after the drag race rollover, was a non-running salvage yard 55 Bel Air 2-door hardtop with a wood post installed in the "B" post area by Henry.

Henry drove both the deuce and the 55 Chevy in many scenes. Having grayish colored hair, he recalls having the make-up department spray his hair black each time he drove in a scene. I raced that 55 down Petaluma Boulevard in the first drag race scene where Falfa and Milner go off at the traffic light, recounts Henry. I also drove the coupe in the final drag race on Paradise Road. The 55 wouldnt roll over as part of the grand finale crash and had to be physically rolled on its side by the film crew.

After the movie, George Lucas gave both Chevys to Henry Travers as a thank you. (Henry was also in charge of selling the Deuce and Impala.) The 55 stunt double ended up in a wrecking yard and was crushed. Despite the fact that his father warned him to keep all of the cars, Henry parted out the stunt car and eventually sold the remaining 55 to Sam Crawford who later sold it to Steve Fitch of Wichita, Kansas. Fitch ended up selling the Chevy to its current owner, Wayne Newsome in Maryland where it is today.



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Canadian Poncho Superstar!

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The 58 Impala
cars_58_Impala.jpgOwned by Mike & Sandra Famalette, Colville, WA

As a teenager about 35 years ago, I was ready to buy my first car. I didnt have much money so I looked at a few wrecks and in several car lots. Then, while reading the San Francisco Chronicle, I ran across an ad in the classifieds about a special sale of some movie cars. I called the phone number listed and spoke to Henry Travers, the films transportation manager.

The next day I went to the bank and emptied my account. Then my dad and I drove to Sonoma where I met Mr. & Mrs. Travers, who were both super nice to me. After looking at all of the cars, I decided on the Impala and despite the fact that I was able to get Henry to reduce the price a little, I still didnt have enough money and had to borrow $10 from dad. I remember Henry laughed at me because I wasnt used to driving a stick. On the way home, the engine overheated and one of the Cadillac taillights fell off, so I had to turn around and go get it.

I drove it every day to and from school. Shortly after graduating, I enlisted in the Marine Corps, so the Impala ended up parked for quite some time while I was away serving my Country. I feel so fortunate to have chanced on that ad and have enough money to buy this now legendary car.

Over the years, many friends have helped with repairs. Fixing the drive train was my daughter Ashleys senior project. My son, Matt, and Ashley helped move the car from Northern California to Colville, Washington. Matt worked for days cleaning it and my wife Sandra has always helped, also. Its still pretty much as it was in the movie.



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Canadian Poncho Superstar!

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The 56 T-Bird
cars_56_T-Bird.jpgClay and May Daily purchased their '56 Thunderbird convertible in 1964 from a San Bernardino, California Ford dealers used car lot. It was red and had 55,000 miles on the odometer. Several years later they moved to Petaluma and had it painted white. Ironically, they lived on Joan Drive, only about four houses away from Cruisin The Boulevard President John Furrer who at the time, of course, wasnt acquainted with them.

In 1972, May was downtown Petaluma doing some shopping and when she returned to the car there was a piece of a brown paper bag under one of the wiper blades. Written on it was an invitation to have the car be included in the filming of a movie. They thought it was just someone playing a prank, but called the listed phone anyway. Of course, it turned out to be Lucas Films and the rest is history. Since most of the filming was done at night, they were able to watch the action.

In 1999, the Dailys and the T-Bird were invited to appear on the the Leeza television show, hosted by Leeza Gibbons. It was a surprise reunion for Suzanne Somers who was appearing as a guest celebrity. At the appropriate time, Leeza had Clay and May, who were seated in the audience stand up and then asked Suzanne if she recognized them. Of course, after almost 30 years she didnt, yet when Leeza told Suzanne that they knew her she was befuddled. For the surprise, everyone went outside into the studio parking lot where Suzanne's husband drove up in the T-Bird!



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Canadian Poncho Superstar!

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The Pharaohs 1951 Mercury

51Merc-BrianSetzer.jpg

51Merc-web1.jpgThanks to Steve Rowan of Ontario, Canada and Rick Blevins of Overland Park, Kansas, we have been able to piece together information about what happened to the Merc after filming was completed in 1972.

The car was returned to Universal Studios where it sat on a back lot until it was purchased by Dave Lee Roth of Van Halen fame who eventually sold it to rockabilly band Stray Cats leader Brian Setzer. Setzer is quoted as saying, I had to sell that car for a really embarrassing price; it was a pile of junk. If he only knew!

51Merc-web2.jpgFrom here, the story gets a bit hazy, but from what we know it was purchased by a young man in New York state. He may have got it directly from Setzer or there may have been one or more other owners in between. It is reported that the New York owner, after being dumped by his girlfriend, committed suicide while in the car! The owners father claims that is untrue, but apparently the blood stains are there. The father refuses to sell the car, opting to let it rot away in his storage/junk yard.

The first photo is one taken during Setzers ownership. The other two are from the lot in New York. What a shame to see such an icon waste away!



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Veteran Member

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Great reads, thanks.

Some obscure way people care for an automobile...........but I guess it's just a car.

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And who is this  "Jack the Bear"
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A Poncho Legend!

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Sad to see such an end to the "Fay-Rows" car...

Hopefully some day it will be saved.

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1966 Strato Chief 2 door, 427 4 speed, 45,000 original miles 

1966 Grande Parisienne, 396 1 of 23 factory air cars (now converted to a "factory" 4 speed)



Canadian Poncho Superstar!

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awsome history here thanks 68 sd and hollywood knights is another great car movie for sure

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Canadian Poncho Superstar!

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cheetah 427 wrote:

i thought the car on american graffiti was a delray???



well a delray was a shorter car than a impala American grafitti car in picture is hard to tell but car is missing fender fins on sides and a fair bit of chrome,does kinda look like a delray in the picture i must say.I know the american grafitti car had some body mods....

 



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Canadian Poncho Superstar!

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3 tail lights impala

1958 Chevrolet Bel Air Impala Sport Coupe [1847]



Delray 2

http://farm4.static.flickr.com/3639/3555869736_aa85b4e18a.jpg


-- Edited by 68sd on Thursday 13th of May 2010 01:18:46 AM

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Canadian Poncho Superstar!

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looks like a post for a delray also! also no roof "vent" on delray thanx again 68!

-- Edited by timbuk on Thursday 13th of May 2010 11:43:37 AM

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